Amore Profondo - Original Radio Edit
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 61/100
- Pop
- 4/100
- Length
- 2:54
- Released
- 2022
- Album
- Amore Profondo
- Genre
- House
- Loudness
- -12.1 dB
- Dynamics
- 14.7 dB
- ISRC
- ITFGO2200030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Amore Profondo - Caiiro Remixremix9B · 120
- Amore Profondo - Breeze and The Sun & Neil Amarey Rmxremix9B · 120
- Amore Profondo - Original Extended Mixversion8A · 120
- Amore Profondo - Ivory In Wonderland Remixremix8A · 123
Amore Profondo - Original Radio Edit runs 120 BPM in A minor (8A), a club-tempo house record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Calmer than 86% of Sparrow & Barbossa's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 86% of Sparrow & Barbossa's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Amore Profondo - Original Radio Edit in?
Amore Profondo - Original Radio Edit by Sparrow & Barbossa is in A minor, or 8A on the Camelot wheel.
What BPM is Amore Profondo - Original Radio Edit?
Amore Profondo - Original Radio Edit runs at 120 BPM, a club-tempo track.
What mixes well with Amore Profondo - Original Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Amore Profondo - Original Radio Edit good for peak time?
With energy 61 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Sparrow & Barbossa
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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