Waiting In Vain - Boddhi Satva Afriki Bassless Mix
- BPM
- 120
- Open Key
- 8d
- Energy
- 56/100
- Pop
- 0/100
- Length
- 6:32
- Released
- 2018
- Album
- Waiting In Vain (Boddhi Satva Remix)
- Genre
- Deep House
- Loudness
- -11.1 dB
- ISRC
- FR10S1436595
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Waiting In Vain - Boddhi Satva Afriki Soul Remixremix3B · 120
- Waiting In Vain - Boddhi Satva Afrikinstrumental Mixoriginal3B · 120
A club-tempo deep house cut, Waiting In Vain - Boddhi Satva Afriki Bassless Mix sits in D♭ major (3B) at 120 BPM. The feel is dark and steady. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of Boddhi Satva's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 81% of Boddhi Satva's catalogue
- Brightness:
- darker than 81% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Waiting In Vain - Boddhi Satva Afriki Bassless Mix in?
Waiting In Vain - Boddhi Satva Afriki Bassless Mix by Boddhi Satva is in D♭ major, or 3B on the Camelot wheel.
What BPM is Waiting In Vain - Boddhi Satva Afriki Bassless Mix?
Waiting In Vain - Boddhi Satva Afriki Bassless Mix runs at 120 BPM, a club-tempo track.
What mixes well with Waiting In Vain - Boddhi Satva Afriki Bassless Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Waiting In Vain - Boddhi Satva Afriki Bassless Mix good for peak time?
With energy 56 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 120 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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