6am in São Paulo
30s preview
- Key
- 4A · F minor
- BPM
- 120
- Open Key
- 9m
- Energy
- 56/100
- Pop
- 19/100
- Length
- 3:36
- Released
- 2024
- Genre
- Deep House
- Loudness
- -20.5 dB
- Dynamics
- 10.0 dB
- ISRC
- US38Y2414976
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
6am in São Paulo runs 120 BPM in F minor (4A), a club-tempo deep house record. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 92% of Kasango's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 89% of Kasango's catalogue
- Groove:
- groovier than 84% of Kasango's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is 6am in São Paulo in?
6am in São Paulo by Kasango is in F minor, or 4A on the Camelot wheel.
What BPM is 6am in São Paulo?
6am in São Paulo runs at 120 BPM, a club-tempo track.
What mixes well with 6am in São Paulo?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is 6am in São Paulo good for peak time?
With energy 56 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 120 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Kasango
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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