Thinking About You - Afrikan Roots Chuba Cabra Instrumental Mix
30s preview
- BPM
- 115
- Open Key
- 8m
- Energy
- 80/100
- Pop
- 1/100
- Length
- 7:06
- Released
- 2020
- Album
- Thinking About You
- Genre
- Deep House
- Loudness
- -9.1 dB
- Dynamics
- 9.5 dB
- ISRC
- QMFMF2010523
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Thinking About You - Afrikan Roots Chuba Cabra Mixoriginal3B · 115
- Thinking About You - Main Mixoriginal5A · 115
- Thinking About You - Inst Mixoriginal7B · 115
Against the original (3B at 115 BPM), this version holds the same tempo and moves the key from 3B to 3A.
Thinking About You - Afrikan Roots Chuba Cabra Instrumental Mix is a mid-tempo deep house track in B♭ minor (3A) at 115 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 97% of Boddhi Satva's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 94% of Boddhi Satva's catalogue
- Energy:
- hotter than 83% of Boddhi Satva's catalogue
- Tempo:
- slower than 77% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Thinking About You - Afrikan Roots Chuba Cabra Instrumental Mix in?
Thinking About You - Afrikan Roots Chuba Cabra Instrumental Mix by Boddhi Satva is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Thinking About You - Afrikan Roots Chuba Cabra Instrumental Mix?
Thinking About You - Afrikan Roots Chuba Cabra Instrumental Mix runs at 115 BPM, a mid-tempo track.
What mixes well with Thinking About You - Afrikan Roots Chuba Cabra Instrumental Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Thinking About You - Afrikan Roots Chuba Cabra Instrumental Mix good for peak time?
With energy 80 out of 100 at 115 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 115 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More deep house
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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