Feel Alright - Louie Vega Edit
30s preview
- BPM
- 115
- Open Key
- 5m
- Energy
- 85/100
- Pop
- 8/100
- Length
- 5:38
- Released
- 2018
- Album
- NYC Disco
- Genre
- House
- Label
- Nervous Records
- Loudness
- -5.6 dB
- Dynamics
- 13.6 dB
- ISRC
- USNRS1836711
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Feel Alrightoriginal9B · 125
- Feel Alright - Louie Vega Editversion12A · 115
Against the original (9B at 125 BPM), this version runs 10 BPM slower and moves the key from 9B to 12A.
Feel Alright - Louie Vega Edit runs 115 BPM in D♭ minor (12A), a mid-tempo house record. It reads as punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2018 production that still circulates in sets. Slower than 95% of Louie Vega's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 85% of Louie Vega's catalogue
- Energy:
- hotter than 76% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Feel Alright - Louie Vega Edit in?
Feel Alright - Louie Vega Edit by Louie Vega is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Feel Alright - Louie Vega Edit?
Feel Alright - Louie Vega Edit runs at 115 BPM, a mid-tempo track.
What mixes well with Feel Alright - Louie Vega Edit?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Feel Alright - Louie Vega Edit good for peak time?
With energy 85 out of 100 at 115 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 115 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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