Rainbow Serpent
30s preview
- BPM
- 114
- Open Key
- 3m
- Energy
- 78/100
- Pop
- 14/100
- Length
- 6:34
- Released
- 2019
- Album
- Fire in the Jungle
- Genre
- Tech House
- Label
- Stil Vor Talent
- Loudness
- -6.9 dB
- Dynamics
- 12.2 dB
- ISRC
- DEXO61966865
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rainbow Serpent - Iorie Remixremix10A · 116
At 114 BPM in B minor (10A), Rainbow Serpent is a mid-tempo tech house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 85% of Oliver Koletzki's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 83% of Oliver Koletzki's catalogue
- Brightness:
- brighter than 83% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Rainbow Serpent in?
Rainbow Serpent by Oliver Koletzki is in B minor, or 10A on the Camelot wheel.
What BPM is Rainbow Serpent?
Rainbow Serpent runs at 114 BPM, a mid-tempo track.
What mixes well with Rainbow Serpent?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Rainbow Serpent good for peak time?
With energy 78 out of 100 at 114 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 114 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.