A Change Is Gonna Come
30s preview
- Key
- 9B · G major
- BPM
- 114
- Open Key
- 2d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 9:24
- Released
- 2020
- Genre
- Deep House
- Loudness
- -7.6 dB
- Dynamics
- 16.9 dB
- ISRC
- DELV41900859
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 114 BPM in G major (9B), A Change Is Gonna Come is a mid-tempo deep house production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 17 dB). More underground than 99% of Fritz Kalkbrenner's catalogue.
- Tempo:
- slower than 93% of Fritz Kalkbrenner's catalogue
- Low end:
- more treble-tilted than 88% of Fritz Kalkbrenner's catalogue
- Energy:
- hotter than 85% of Fritz Kalkbrenner's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is A Change Is Gonna Come in?
A Change Is Gonna Come by Fritz Kalkbrenner is in G major, or 9B on the Camelot wheel.
What BPM is A Change Is Gonna Come?
A Change Is Gonna Come runs at 114 BPM, a mid-tempo track.
What mixes well with A Change Is Gonna Come?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is A Change Is Gonna Come good for peak time?
With energy 83 out of 100 at 114 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 114 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
More deep house
More from Fritz Kalkbrenner
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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