Sorry (with Madonna) - TIBASKO Remix
30s preview
- BPM
- 128
- Open Key
- 9d
- Energy
- 80/100
- Pop
- 11/100
- Length
- 3:19
- Released
- 2023
- Album
- Sorry (Remixes)
- Genre
- House
- Label
- Insomniac Records
- Loudness
- -7.9 dB
- Dynamics
- 8.8 dB
- ISRC
- NL8RL2317437
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sorry (with Madonna)original8B · 124
- Sorry (with Madonna) - Franky Rizardo Remixremix4A · 128
- Sorry (Miss Monique remix)remix9B · 121
Against the original (8B at 124 BPM), this version runs 4 BPM faster and moves the key from 8B to 4B.
Sorry (with Madonna) - TIBASKO Remix runs 128 BPM in A♭ major (4B), a peak-time tempo house record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 90% of Blond:ish's catalogue.
- Tempo:
- faster than 87% of Blond:ish's catalogue
- Low end:
- more bass-heavy than 86% of Blond:ish's catalogue
- Groove:
- less groove-driven than 85% of Blond:ish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Sorry (with Madonna) - TIBASKO Remix in?
Sorry (with Madonna) - TIBASKO Remix by Blond:ish is in A♭ major, or 4B on the Camelot wheel.
What BPM is Sorry (with Madonna) - TIBASKO Remix?
Sorry (with Madonna) - TIBASKO Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Sorry (with Madonna) - TIBASKO Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Sorry (with Madonna) - TIBASKO Remix good for peak time?
With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Blond:ish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
