Members Only by Ben Sterling cover art

Members Only

Ben Sterling

30s preview

Key
1B · B major
BPM
127
Open Key
6d
Energy
86/100
Pop
11/100
Length
7:34
Released
2018
Album
Members Only EP
Genre
Tech House
Label
Repopulate Mars
Loudness
-9.0 dB
Dynamics
9.4 dB
ISRC
GBK6Y1841601

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Members Only: peak-time tempo tech house, B major (1B), 127 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More bass-heavy than 92% of Ben Sterling's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood64Balanced
Groove81
Acoustic13
Instrumental93
Live12
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
45%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
12%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Members Only in?

Members Only by Ben Sterling is in B major, or 1B on the Camelot wheel.

What BPM is Members Only?

Members Only runs at 127 BPM, a peak-time tempo track.

What mixes well with Members Only?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Members Only good for peak time?

With energy 86 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 127 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

More from Ben Sterling

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track