Viscoplastic
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 41/100
- Pop
- 13/100
- Length
- 6:13
- Released
- 2011
- Album
- Tracks from 07
- Genre
- Techno
- Label
- Deeply Rooted House
- Loudness
- -13.1 dB
- Dynamics
- 11.2 dB
- ISRC
- FR6V80798973
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in D♭ major (3B), Viscoplastic is a club-tempo techno production. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. Groovier than 98% of Ben Klock's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 93% of Ben Klock's catalogue
- Energy:
- calmer than 91% of Ben Klock's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Viscoplastic in?
Viscoplastic by Ben Klock is in D♭ major, or 3B on the Camelot wheel.
What BPM is Viscoplastic?
Viscoplastic runs at 124 BPM, a club-tempo track.
What mixes well with Viscoplastic?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Viscoplastic good for peak time?
With energy 41 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Ben Klock
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
