Empty Space - Original
30s preview
- BPM
- 124
- Open Key
- 7d
- Energy
- 42/100
- Pop
- 3/100
- Length
- 7:15
- Released
- 2016
- Album
- Empty Space
- Genre
- Techno
- Label
- refused.
- Loudness
- -12.5 dB
- Dynamics
- 9.1 dB
- ISRC
- USLZJ1604160
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in F♯ major (2B), Empty Space - Original is a club-tempo techno production. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Calmer than 99% of Fer BR's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 96% of Fer BR's catalogue
- Low end:
- more bass-heavy than 92% of Fer BR's catalogue
- Reach:
- better known than 86% of Fer BR's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Empty Space - Original in?
Empty Space - Original by Fer BR is in F♯ major, or 2B on the Camelot wheel.
What BPM is Empty Space - Original?
Empty Space - Original runs at 124 BPM, a club-tempo track.
What mixes well with Empty Space - Original?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Empty Space - Original good for peak time?
With energy 42 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 124 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Fer BR
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
