Drop the Gun - Radio Edit
30s preview
- BPM
- 115
- Open Key
- 8m
- Energy
- 56/100
- Pop
- 30/100
- Length
- 3:29
- Released
- 2018
- Album
- Drop the Gun
- Genre
- Downtempo
- Label
- Music For Dreams
- Loudness
- -11.0 dB
- Dynamics
- 12.8 dB
- ISRC
- DKAZ71829801
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Drop the Gunoriginal3A · 115
- Drop the Gun - Extended Mixversion3A · 115
Against the original (3A at 115 BPM), this version holds the same tempo in the same key.
Drop the Gun - Radio Edit runs 115 BPM in B♭ minor (3A), a mid-tempo downtempo record. Tonally it lands bright and easy. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Groovier than 87% of Be Svendsen's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 77% of Be Svendsen's catalogue
- Reach:
- better known than 77% of Be Svendsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Drop the Gun - Radio Edit in?
Drop the Gun - Radio Edit by Be Svendsen is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Drop the Gun - Radio Edit?
Drop the Gun - Radio Edit runs at 115 BPM, a mid-tempo track.
What mixes well with Drop the Gun - Radio Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Drop the Gun - Radio Edit good for peak time?
With energy 56 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 115 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More downtempo
More from Be Svendsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
