Call to Arms by Awen cover art

Call to Arms

Awen

Key
3A · B♭ minor
BPM
100
Double-time
200
Open Key
8m
Energy
30/100
Pop
0/100
Length
4:46
Released
2010
Genre
Neofolk
Loudness
-21.0 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 100 BPM in B♭ minor (3A), Call to Arms is a slow-groove tempo neofolk production. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Awen's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 96% of Awen's catalogue
Tempo:
slower than 86% of Awen's catalogue
Brightness:
darker than 85% of Awen's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy30
Mood8Dark
Groove44
Acoustic88
Instrumental95
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Call to Arms in?

Call to Arms by Awen is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Call to Arms?

Call to Arms runs at 100 BPM, a slow-groove tempo track.

What mixes well with Call to Arms?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Call to Arms good for peak time?

With energy 30 out of 100 at 100 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 100 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 100 — beatmatch without a big tempo pull.

#TrackKey·BPM

More neofolk

#TrackKey·BPM

More from Awen

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.