Wild Wild Son - Fatum Remix
30s preview
- BPM
- 128
- Open Key
- 11d
- Energy
- 92/100
- Pop
- 3/100
- Length
- 3:27
- Released
- 2019
- Album
- Wild Wild Son (Remixes)
- Genre
- Trance
- Loudness
- -5.9 dB
- Dynamics
- 8.0 dB
- ISRC
- NLF711813963
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wild Wild Son - Richard Durand Remixremix5A · 138
- Wild Wild Son - Deorro & Reece Low Remixremix7B · 136
- Wild Wild Son (feat. Sam Martin) - Devin Wild Extended Remixremix5B · 150
- Wild Wild Son (Club Mix [Mix Cut])version4A · 131
- Wild Wild Sonoriginal5B · 136
- Wild Wild Son - Club Mixversion4A · 132
Against the original (5B at 136 BPM), this version runs 8 BPM slower and moves the key from 5B to 6B.
Wild Wild Son - Fatum Remix is a peak-time tempo trance track in B♭ major (6B) at 128 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 96% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 93% of Armin van Buuren's catalogue
- Groove:
- less groove-driven than 92% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Wild Wild Son - Fatum Remix in?
Wild Wild Son - Fatum Remix by Armin van Buuren is in B♭ major, or 6B on the Camelot wheel.
What BPM is Wild Wild Son - Fatum Remix?
Wild Wild Son - Fatum Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Wild Wild Son - Fatum Remix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Wild Wild Son - Fatum Remix good for peak time?
With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
![Bayfront [Miami] - Radio Edit by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02009c30c7a618f3a741ba0740){kind=small}
How to mix it
In 6B at 128 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Corsten's Countdown Intro [CC447] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e023b846f5c2f7ea915d9184be4){kind=small}
More trance
![Corsten's Countdown 455 intro [CC455] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0266ef5c2fb427621ba6d292a5){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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