God Is In The Soundwaves
30s preview
- BPM
- 144
- Half-time
- 72
- Open Key
- 5m
- Energy
- 91/100
- Pop
- 41/100
- Length
- 2:44
- Released
- 2023
- Genre
- Electro House
- Label
- Armada
- Loudness
- -7.1 dB
- Dynamics
- 10.7 dB
- ISRC
- NLF712307307
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- God Is in the Soundwaves - Extended Mixversion11A · 144
A driving up-tempo electro house cut, God Is In The Soundwaves sits in D♭ minor (12A) at 144 BPM. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 96% of Armin van Buuren's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 91% of Armin van Buuren's catalogue
- Groove:
- groovier than 78% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is God Is In The Soundwaves in?
God Is In The Soundwaves by Armin van Buuren is in D♭ minor, or 12A on the Camelot wheel.
What BPM is God Is In The Soundwaves?
God Is In The Soundwaves runs at 144 BPM, a driving up-tempo track.
What mixes well with God Is In The Soundwaves?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is God Is In The Soundwaves good for peak time?
With energy 91 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 144 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More electro house
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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