All on Me - D.O.D Extended Remix
30s preview
- BPM
- 126
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 5:22
- Released
- 2020
- Album
- All On Me (Remixes)
- Genre
- Trance
- Loudness
- -4.4 dB
- Dynamics
- 12.8 dB
- ISRC
- NLF712006096
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All On Meoriginal6A · 128
- All on Me - Acoustic Versionoriginal11B · 125
- All on Me - MOTi Remixremix6A · 126
- All on Me - Dezza Extended Remixremix6A · 124
- All On Me - Brennan Heart VIP Mixoriginal6A · 148
- All on Me (feat. Andreas Moe) - Brennan Heart Extended VIP Mixversion6A · 146
Against the original (6A at 128 BPM), this version runs 2 BPM slower and moves the key from 6A to 10A.
All on Me - D.O.D Extended Remix is a club-tempo trance track in B minor (10A) at 126 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Groovier than 99% of Armin van Buuren's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Armin van Buuren's catalogue
- Low end:
- more treble-tilted than 95% of Armin van Buuren's catalogue
- Brightness:
- brighter than 83% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is All on Me - D.O.D Extended Remix in?
All on Me - D.O.D Extended Remix by Armin van Buuren is in B minor, or 10A on the Camelot wheel.
What BPM is All on Me - D.O.D Extended Remix?
All on Me - D.O.D Extended Remix runs at 126 BPM, a club-tempo track.
What mixes well with All on Me - D.O.D Extended Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is All on Me - D.O.D Extended Remix good for peak time?
With energy 91 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Give Her Right Back ft. [Dances With White Girls] by Chris Lake cover art](https://i.scdn.co/image/ab67616d00001e027b26d877a322bba79b4cac1d){kind=small}
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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