All This Time (feat. Jazzy) - Armand Van Helden Remix
30s preview
- Key
- 4A · F minor
- BPM
- 132
- Open Key
- 9m
- Energy
- 90/100
- Pop
- 42/100
- Length
- 3:12
- Released
- 2025
- Album
- All This Time (feat. Jazzy) [Armand Van Helden Remix]
- Genre
- House
- Loudness
- -6.7 dB
- Dynamics
- 11.9 dB
- ISRC
- US38Y2589798
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 132 BPM in F minor (4A), All This Time (feat. Jazzy) - Armand Van Helden Remix is a peak-time tempo house production. Tonally it lands punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 99% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 95% of Armand Van Helden's catalogue
- Tempo:
- faster than 87% of Armand Van Helden's catalogue
- Low end:
- more treble-tilted than 75% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is All This Time (feat. Jazzy) - Armand Van Helden Remix in?
All This Time (feat. Jazzy) - Armand Van Helden Remix by Armand Van Helden is in F minor, or 4A on the Camelot wheel.
What BPM is All This Time (feat. Jazzy) - Armand Van Helden Remix?
All This Time (feat. Jazzy) - Armand Van Helden Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with All This Time (feat. Jazzy) - Armand Van Helden Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is All This Time (feat. Jazzy) - Armand Van Helden Remix good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
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How to mix it
In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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