
In Da Club - 10 Years of Eats Everything Remix
30s preview
- BPM
- 132
- Open Key
- 8m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:47
- Released
- 2021
- Album
- In da Club (The Remixes)
- Genre
- Techno
- Loudness
- -9.4 dB
- Dynamics
- 9.7 dB
- ISRC
- GBJX32198072
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In Da Club - Ackermann Remixremix11A · 132
- In Da Club - David Herrlich Remixremix2B · 130
- In Da Club - Disruptive Pattern Material Remixremix4A · 130
- In Da Club - Maccari Remixremix9A · 134
- In Da Club - Manu Sanchez Remixremix12A · 130
- In Da Club - Marc Gruau Remixremix1B · 132
In Da Club - 10 Years of Eats Everything Remix is a peak-time tempo techno track in B♭ minor (3A) at 132 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Marco Faraone's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 87% of Marco Faraone's catalogue
- Energy:
- hotter than 85% of Marco Faraone's catalogue
- Tempo:
- faster than 75% of Marco Faraone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is In Da Club - 10 Years of Eats Everything Remix in?
In Da Club - 10 Years of Eats Everything Remix by Marco Faraone is in B♭ minor, or 3A on the Camelot wheel.
What BPM is In Da Club - 10 Years of Eats Everything Remix?
In Da Club - 10 Years of Eats Everything Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with In Da Club - 10 Years of Eats Everything Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is In Da Club - 10 Years of Eats Everything Remix good for peak time?
With energy 91 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 132 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from Marco Faraone
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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