F1 by Anthony Attalla cover art

30s preview

Key
9B · G major
BPM
123
Open Key
2d
Energy
90/100
Pop
3/100
Length
7:28
Released
2016
Album
F1 / Why Do You
Genre
Deep House
Label
Yoshitoshi Recordings
Loudness
-8.1 dB
Dynamics
19.7 dB
ISRC
GBLV61518661

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo deep house cut, F1 sits in G major (9B) at 123 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 20 dB). A 2016 production that still circulates in sets. Slower than 95% of Anthony Attalla's catalogue. In a set it works best as a floor-filler.

Low end:
more treble-tilted than 94% of Anthony Attalla's catalogue
Groove:
groovier than 89% of Anthony Attalla's catalogue
Brightness:
darker than 87% of Anthony Attalla's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood23Dark
Groove81
Acoustic0
Instrumental94
Live7
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
23%
High
2.5-11 kHz

FAQ

What key is F1 in?

F1 by Anthony Attalla is in G major, or 9B on the Camelot wheel.

What BPM is F1?

F1 runs at 123 BPM, a club-tempo track.

What mixes well with F1?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is F1 good for peak time?

With energy 90 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More deep house

More from Anthony Attalla

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track