Undefeated - Evil Nine Remix
30s preview
- BPM
- 130
- Open Key
- 8d
- Energy
- 79/100
- Pop
- 6/100
- Length
- 3:09
- Released
- 2014
- Album
- Undefeated (Evil Nine Remix)
- Genre
- Breaks
- Label
- Black Book Audio
- Loudness
- -7.2 dB
- Dynamics
- 13.9 dB
- ISRC
- NLF711403458
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Undefeatedoriginal2B · 128
- Undefeated - Original Mixoriginal2B · 128
- Undefeated - Evil Nine Remixremix4A · 130
Against the original (2B at 128 BPM), this version runs 2 BPM faster and moves the key from 2B to 3B.
Undefeated - Evil Nine Remix: peak-time tempo breaks, D♭ major (3B), 130 BPM. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. Brighter than 95% of Amtrac's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 84% of Amtrac's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Undefeated - Evil Nine Remix in?
Undefeated - Evil Nine Remix by Amtrac is in D♭ major, or 3B on the Camelot wheel.
What BPM is Undefeated - Evil Nine Remix?
Undefeated - Evil Nine Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Undefeated - Evil Nine Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Undefeated - Evil Nine Remix good for peak time?
With energy 79 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More breaks
More from Amtrac
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
