Get Me High
- BPM
- 130
- Open Key
- 7d
- Energy
- 80/100
- Pop
- 29/100
- Length
- 5:16
- Released
- 2018
- Genre
- Breakbeat
- Label
- Ministry Of Sound Recordings
- Loudness
- -7.6 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Me High - Editversion2B · 130
- Get Me Highoriginal2B · 130
Get Me High is a peak-time tempo breakbeat track in F♯ major (2B) at 130 BPM. A 2018 production that still circulates in sets. Faster than 91% of Franky Wah's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 87% of Franky Wah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get Me High in?
Get Me High by Franky Wah is in F♯ major, or 2B on the Camelot wheel.
What BPM is Get Me High?
Get Me High runs at 130 BPM, a peak-time tempo track.
What mixes well with Get Me High?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Get Me High good for peak time?
With energy 80 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 130 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More breakbeat
More from Franky Wah
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
