Gold Diggin'
30s preview
- BPM
- 155
- Half-time
- 78
- Open Key
- 8d
- Energy
- 99/100
- Pop
- 1/100
- Length
- 5:14
- Released
- 2020
- Album
- Cyclone Jazz EP
- Genre
- Techno
- Loudness
- -4.6 dB
- Dynamics
- 14.3 dB
- ISRC
- UK34N1800383
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Gold Diggin' runs 155 BPM in D♭ major (3B), a fast techno record. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Faster than 98% of Alan Fitzpatrick's catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- brighter than 98% of Alan Fitzpatrick's catalogue
- Low end:
- more treble-tilted than 97% of Alan Fitzpatrick's catalogue
- Energy:
- hotter than 96% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Gold Diggin' in?
Gold Diggin' by Alan Fitzpatrick is in D♭ major, or 3B on the Camelot wheel.
What BPM is Gold Diggin'?
Gold Diggin' runs at 155 BPM, a fast track.
What mixes well with Gold Diggin'?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Gold Diggin' good for peak time?
With energy 99 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 155 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
