Summit Push
30s preview
- BPM
- 177
- Half-time
- 89
- Open Key
- 11d
- Energy
- 4/100
- Pop
- 7/100
- Length
- 1:39
- Released
- 2022
- Album
- The Last Glaciers (Original Motion Picture Soundtrack)
- Genre
- Downtempo
- Loudness
- -21.9 dB
- Dynamics
- 19.4 dB
- ISRC
- GBEWA2201509
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A downtempo cut, Summit Push sits in B♭ major (6B) at 177 BPM. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). Calmer than 99% of Above & Beyond's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- faster than 99% of Above & Beyond's catalogue
- Groove:
- less groove-driven than 99% of Above & Beyond's catalogue
- Brightness:
- darker than 97% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Summit Push in?
Summit Push by Above & Beyond is in B♭ major, or 6B on the Camelot wheel.
What BPM is Summit Push?
Summit Push runs at 177 BPM.
What mixes well with Summit Push?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Summit Push good for peak time?
With energy 4 out of 100 at 177 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 177 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 166-188 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 177 — beatmatch without a big tempo pull.
More downtempo
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 177 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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