You’re Not a Popstar by X CLUB. cover art

You’re Not a Popstar

X CLUB.

30s preview

Key
3A · B♭ minor
BPM
139
Open Key
8m
Energy
99/100
Pop
42/100
Length
3:45
Released
2025
Genre
Techno
Loudness
-5.0 dB
Dynamics
11.5 dB
ISRC
USZXT2557036

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 139 BPM in B♭ minor (3A), You’re Not a Popstar is a driving up-tempo techno production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 93% of X CLUB.'s catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 79% of X CLUB.'s catalogue
Energy:
hotter than 78% of X CLUB.'s catalogue
Groove:
less groove-driven than 78% of X CLUB.'s catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood41Balanced
Groove60
Acoustic0
Instrumental90
Live23
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is You’re Not a Popstar in?

You’re Not a Popstar by X CLUB. is in B♭ minor, or 3A on the Camelot wheel.

What BPM is You’re Not a Popstar?

You’re Not a Popstar runs at 139 BPM, a driving up-tempo track.

What mixes well with You’re Not a Popstar?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is You’re Not a Popstar good for peak time?

With energy 99 out of 100 at 139 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 139 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 139 — beatmatch without a big tempo pull.

More techno

More from X CLUB.

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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