Running - Extended Mix
30s preview
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 72/100
- Pop
- 1/100
- Length
- 5:53
- Released
- 2023
- Album
- Running (Extended Mix)
- Genre
- Tech House
- Loudness
- -6.6 dB
- Dynamics
- 11.1 dB
- ISRC
- US39N2205189
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Runningoriginal8A · 125
Against the original (8A at 125 BPM), this version holds the same tempo and moves the key from 8A to 9A.
At 125 BPM in E minor (9A), Running - Extended Mix is a club-tempo tech house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 84% of Westend's catalogue. In a set it works best as a floor-filler.
- Energy:
- calmer than 79% of Westend's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Running - Extended Mix in?
Running - Extended Mix by Westend is in E minor, or 9A on the Camelot wheel.
What BPM is Running - Extended Mix?
Running - Extended Mix runs at 125 BPM, a club-tempo track.
What mixes well with Running - Extended Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Running - Extended Mix good for peak time?
With energy 72 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Westend
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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