In the Dust
- BPM
- 125
- Open Key
- 8m
- Energy
- 72/100
- Pop
- 4/100
- Length
- 6:25
- Released
- 2022
- Genre
- Techno
- Loudness
- -12.3 dB
- ISRC
- QZW9K2231210
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
In the Dust runs 125 BPM in B♭ minor (3A), a club-tempo techno record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 91% of Binaryh's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is In the Dust in?
In the Dust by Binaryh is in B♭ minor, or 3A on the Camelot wheel.
What BPM is In the Dust?
In the Dust runs at 125 BPM, a club-tempo track.
What mixes well with In the Dust?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is In the Dust good for peak time?
With energy 72 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Binaryh
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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