Sure Thing - Radio Mix
30s preview
- BPM
- 121
- Open Key
- 6m
- Energy
- 72/100
- Pop
- 10/100
- Length
- 4:22
- Released
- 2014
- Album
- Sure Thing
- Genre
- Progressive House
- Label
- Enormous Tunes
- Loudness
- -4.8 dB
- Dynamics
- 10.6 dB
- ISRC
- CH3131411940
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sure Thing - Original Mixoriginal1A · 121
- Sure Thing - Matvey Emerson Radio Mixversion1B · 121
- Sure Thing - Matvey Emerson Remixremix1B · 121
Against the original (1A at 121 BPM), this version holds the same tempo in the same key.
Sure Thing - Radio Mix is a club-tempo progressive house track in A♭ minor (1A) at 121 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Slower than 90% of Vintage Culture's catalogue. For programming, treat it as a floor-filler.
- Reach:
- more underground than 82% of Vintage Culture's catalogue
- Low end:
- more treble-tilted than 80% of Vintage Culture's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Sure Thing - Radio Mix in?
Sure Thing - Radio Mix by Vintage Culture is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Sure Thing - Radio Mix?
Sure Thing - Radio Mix runs at 121 BPM, a club-tempo track.
What mixes well with Sure Thing - Radio Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Sure Thing - Radio Mix good for peak time?
With energy 72 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 121 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
![The Garden [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
