Been Here Before - Namatjira's Ode To Jerry Dub by Guy J cover art

Been Here Before - Namatjira's Ode To Jerry Dub

Guy J

30s preview

Key
1A · A♭ minor
BPM
121
Open Key
6m
Energy
71/100
Pop
0/100
Length
9:42
Released
2017
Album
Been Here Before (Namatjira Remixes)
Genre
Progressive House
Loudness
-7.8 dB
Dynamics
11.4 dB
ISRC
NLHR21700002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 124 BPM), this version runs 3 BPM slower and moves the key from 3B to 1A.

Been Here Before - Namatjira's Ode To Jerry Dub runs 121 BPM in A♭ minor (1A), a club-tempo progressive house record. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 11 dB). A 2017 production that still circulates in sets. Brighter than 99% of Guy J's catalogue. In a set it works best as a floor-filler.

Reach:
more underground than 99% of Guy J's catalogue
Low end:
more treble-tilted than 91% of Guy J's catalogue
Tempo:
slower than 82% of Guy J's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood89Bright
Groove74
Acoustic1
Instrumental91
Live6
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Been Here Before - Namatjira's Ode To Jerry Dub in?

Been Here Before - Namatjira's Ode To Jerry Dub by Guy J is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Been Here Before - Namatjira's Ode To Jerry Dub?

Been Here Before - Namatjira's Ode To Jerry Dub runs at 121 BPM, a club-tempo track.

What mixes well with Been Here Before - Namatjira's Ode To Jerry Dub?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Been Here Before - Namatjira's Ode To Jerry Dub good for peak time?

With energy 71 out of 100 at 121 BPM, it works best as a floor-filler.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 121 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

More progressive house

More from Guy J

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track