Thin Line by Michael A cover art

Thin Line

Michael A

30s preview

Key
8B · C major
BPM
121
Open Key
1d
Energy
71/100
Pop
12/100
Length
6:41
Released
2024
Genre
Progressive House
Label
Protagonist Recordings
Loudness
-10.1 dB
Dynamics
12.0 dB
ISRC
GBKQU2482148

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Thin Line runs 121 BPM in C major (8B), a club-tempo progressive house record. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 93% of Michael A's catalogue. For programming, treat it as a floor-filler.

Tempo:
slower than 78% of Michael A's catalogue
Low end:
more treble-tilted than 76% of Michael A's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood30Dark
Groove80
Acoustic0
Instrumental86
Live6
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Thin Line in?

Thin Line by Michael A is in C major, or 8B on the Camelot wheel.

What BPM is Thin Line?

Thin Line runs at 121 BPM, a club-tempo track.

What mixes well with Thin Line?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Thin Line good for peak time?

With energy 71 out of 100 at 121 BPM, it works best as a floor-filler.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 121 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

More progressive house

More from Michael A

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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