
Pour Over (Kyle Watson remix)
- Key
- 9B · G major
- BPM
- 177
- Half-time
- 89
- Open Key
- 2d
- Energy
- 70/100
- Pop
- 57/100
- Length
- 3:34
- Released
- 2018
- Genre
- Dance Pop
- Loudness
- -6.8 dB
- ISRC
- NLZ541800776
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Pour Over (Kyle Watson remix) runs 177 BPM in G major (9B), a dance pop record. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Faster than 99% of Vintage Culture's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 96% of Vintage Culture's catalogue
- Reach:
- better known than 93% of Vintage Culture's catalogue
- Low end:
- more bass-heavy than 89% of Vintage Culture's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Pour Over (Kyle Watson remix) in?
Pour Over (Kyle Watson remix) by Vintage Culture is in G major, or 9B on the Camelot wheel.
What BPM is Pour Over (Kyle Watson remix)?
Pour Over (Kyle Watson remix) runs at 177 BPM.
What mixes well with Pour Over (Kyle Watson remix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Pour Over (Kyle Watson remix) good for peak time?
With energy 70 out of 100 at 177 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 177 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 166-188 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 177 — beatmatch without a big tempo pull.
More dance pop
More from Vintage Culture
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 177 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.