Pseudo V2 by Truncate cover art

Pseudo V2

Truncate

30s preview

Key
3A · B♭ minor
BPM
135
Open Key
8m
Energy
86/100
Pop
2/100
Length
5:02
Released
2018
Album
Multiply
Genre
Techno
Label
Truncate
Loudness
-10.8 dB
Dynamics
11.4 dB
ISRC
USA2P1873320

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Pseudo V2 is a driving up-tempo techno track in B♭ minor (3A) at 135 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood7Dark
Groove79
Acoustic6
Instrumental95
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Pseudo V2 in?

Pseudo V2 by Truncate is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Pseudo V2?

Pseudo V2 runs at 135 BPM, a driving up-tempo track.

What mixes well with Pseudo V2?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Pseudo V2 good for peak time?

With energy 86 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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