Waiting For Robert Pain
- BPM
- 135
- Open Key
- 8m
- Energy
- 87/100
- Pop
- 1/100
- Length
- 6:19
- Released
- 2002
- Album
- Floodland EP
- Genre
- Techno
- Label
- Warm Up Recordings
- Loudness
- -13.4 dB
- ISRC
- NLCK41015503
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo techno cut, Waiting For Robert Pain sits in B♭ minor (3A) at 135 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2002 production that still circulates in sets. Brighter than 99% of Oscar Mulero's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Waiting For Robert Pain in?
Waiting For Robert Pain by Oscar Mulero is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Waiting For Robert Pain?
Waiting For Robert Pain runs at 135 BPM, a driving up-tempo track.
What mixes well with Waiting For Robert Pain?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Waiting For Robert Pain good for peak time?
With energy 87 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More techno
More from Oscar Mulero
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.