Spread Love (remix) by Todd Terry cover art

Spread Love (remix)

Todd Terry

Key
7A · D minor
BPM
120
Open Key
12m
Energy
52/100
Pop
3/100
Length
5:42
Released
2013
Genre
House
Loudness
-10.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo house cut, Spread Love (remix) sits in D minor (7A) at 120 BPM. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 99% of Todd Terry's catalogue.

Tempo:
slower than 97% of Todd Terry's catalogue
Brightness:
darker than 96% of Todd Terry's catalogue
Groove:
groovier than 88% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy52
Mood12Dark
Groove84
Acoustic0
Instrumental29
Live8
Speech20

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Spread Love (remix) in?

Spread Love (remix) by Todd Terry is in D minor, or 7A on the Camelot wheel.

What BPM is Spread Love (remix)?

Spread Love (remix) runs at 120 BPM, a club-tempo track.

What mixes well with Spread Love (remix)?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Spread Love (remix) good for peak time?

With energy 52 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 120 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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