Keep Pumping It Up - Club Mix
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 88/100
- Pop
- 4/100
- Length
- 6:32
- Released
- 2020
- Album
- Keep Pumping It Up
- Genre
- House
- Loudness
- -7.2 dB
- Dynamics
- 10.8 dB
- ISRC
- USMKQ2000050
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Keep Pumping It Uporiginal10A · 125
Against the original (10A at 125 BPM), this version holds the same tempo and moves the key from 10A to 10B.
Keep Pumping It Up - Club Mix is a club-tempo house track in D major (10B) at 125 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 93% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 78% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Keep Pumping It Up - Club Mix in?
Keep Pumping It Up - Club Mix by Todd Terry is in D major, or 10B on the Camelot wheel.
What BPM is Keep Pumping It Up - Club Mix?
Keep Pumping It Up - Club Mix runs at 125 BPM, a club-tempo track.
What mixes well with Keep Pumping It Up - Club Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Keep Pumping It Up - Club Mix good for peak time?
With energy 88 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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