Change - Alexander Technique Remix V2
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 65/100
- Pop
- 0/100
- Length
- 6:48
- Released
- 2018
- Album
- Change
- Genre
- House
- Loudness
- -8.1 dB
- Dynamics
- 8.3 dB
- ISRC
- USMKQ1800088
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Change - Alexander Technique Remix V1remix9B · 126
- Change (InHouse Radio 032) - Todd Terry Club Mixversion10A · 124
Change - Alexander Technique Remix V2 is a club-tempo house track in G major (9B) at 126 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 99% of Todd Terry's catalogue
- Energy:
- calmer than 95% of Todd Terry's catalogue
- Tempo:
- faster than 77% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Change - Alexander Technique Remix V2 in?
Change - Alexander Technique Remix V2 by Todd Terry is in G major, or 9B on the Camelot wheel.
What BPM is Change - Alexander Technique Remix V2?
Change - Alexander Technique Remix V2 runs at 126 BPM, a club-tempo track.
What mixes well with Change - Alexander Technique Remix V2?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Change - Alexander Technique Remix V2 good for peak time?
With energy 65 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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