We Are Young - Instrumental Mix
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 74/100
- Pop
- 1/100
- Length
- 5:25
- Released
- 2013
- Album
- Remember the Future (Album Sampler)
- Genre
- Progressive House
- Label
- Zero Three Zero
- Loudness
- -5.0 dB
- Dynamics
- 9.1 dB
- ISRC
- USQY51332372
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are Youngoriginal8A · 120
- We Are Youngoriginal8A · 120
Against the original (8A at 120 BPM), this version holds the same tempo in the same key.
At 120 BPM in A minor (8A), We Are Young - Instrumental Mix is a club-tempo progressive house production. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Slower than 98% of Tinlicker's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 85% of Tinlicker's catalogue
- Energy:
- calmer than 81% of Tinlicker's catalogue
- Low end:
- more treble-tilted than 81% of Tinlicker's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is We Are Young - Instrumental Mix in?
We Are Young - Instrumental Mix by Tinlicker is in A minor, or 8A on the Camelot wheel.
What BPM is We Are Young - Instrumental Mix?
We Are Young - Instrumental Mix runs at 120 BPM, a club-tempo track.
What mixes well with We Are Young - Instrumental Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is We Are Young - Instrumental Mix good for peak time?
With energy 74 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Fly (Original Mix] by Kobana cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/01e9c868b22b6ec1673a.webp){kind=small}
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Tinlicker
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
