For Those We Knew
30s preview
- Key
- 4A · F minor
- BPM
- 120
- Open Key
- 9m
- Energy
- 75/100
- Pop
- 13/100
- Length
- 4:00
- Released
- 2020
- Genre
- Deep House
- Label
- Anjunadeep
- Loudness
- -6.7 dB
- Dynamics
- 10.4 dB
- ISRC
- GBEWA1905057
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- For Those We Knew - Spencer Brown & Wilt Claybourne Remix Editremix4B · 124
- For Those We Knew - Extended Mixversion4A · 120
- For Those We Knew - Spencer Brown & Wilt Claybourne Remixremix4B · 124
A club-tempo deep house cut, For Those We Knew sits in F minor (4A) at 120 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 95% of Jody Wisternoff's catalogue.
- Groove:
- less groove-driven than 81% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is For Those We Knew in?
For Those We Knew by Jody Wisternoff is in F minor, or 4A on the Camelot wheel.
What BPM is For Those We Knew?
For Those We Knew runs at 120 BPM, a club-tempo track.
What mixes well with For Those We Knew?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is For Those We Knew good for peak time?
With energy 75 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 120 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
![Fly (Original Mix] by Kobana cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/01e9c868b22b6ec1673a.webp){kind=small}
More deep house
More from Jody Wisternoff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
