Lost & Found - Tim Engelhardt Remix Edit
30s preview
- BPM
- 124
- Open Key
- 9d
- Energy
- 82/100
- Pop
- 23/100
- Length
- 4:09
- Released
- 2024
- Album
- Lost & Found (Tim Engelhardt Remix Edit)
- Genre
- Tech House
- Loudness
- -10.2 dB
- Dynamics
- 10.1 dB
- ISRC
- DEVE12400003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in A♭ major (4B), Lost & Found - Tim Engelhardt Remix Edit is a club-tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Darker than 97% of Tim Engelhardt's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 94% of Tim Engelhardt's catalogue
- Reach:
- better known than 89% of Tim Engelhardt's catalogue
- Energy:
- hotter than 80% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Lost & Found - Tim Engelhardt Remix Edit in?
Lost & Found - Tim Engelhardt Remix Edit by Tim Engelhardt is in A♭ major, or 4B on the Camelot wheel.
What BPM is Lost & Found - Tim Engelhardt Remix Edit?
Lost & Found - Tim Engelhardt Remix Edit runs at 124 BPM, a club-tempo track.
What mixes well with Lost & Found - Tim Engelhardt Remix Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Lost & Found - Tim Engelhardt Remix Edit good for peak time?
With energy 82 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 124 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
