Face Off by Kevin Over cover art

Face Off

Kevin Over

30s preview

Key
11B · A major
BPM
124
Open Key
4d
Energy
82/100
Pop
0/100
Length
6:12
Released
2015
Genre
Tech House
Loudness
-8.1 dB
Dynamics
10.2 dB
ISRC
DECL11200711

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Face Off sits in A major (11B) at 124 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Kevin Over's catalogue. For programming, treat it as a peak-time weapon.

Groove:
less groove-driven than 92% of Kevin Over's catalogue
Low end:
more bass-heavy than 82% of Kevin Over's catalogue
Brightness:
darker than 77% of Kevin Over's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood26Dark
Groove70
Acoustic1
Instrumental58
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Face Off in?

Face Off by Kevin Over is in A major, or 11B on the Camelot wheel.

What BPM is Face Off?

Face Off runs at 124 BPM, a club-tempo track.

What mixes well with Face Off?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Face Off good for peak time?

With energy 82 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 124 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Kevin Over

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track