Mirrors - Original Mix
30s preview
- BPM
- 124
- Open Key
- 4m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 8:23
- Released
- 2016
- Album
- Rosemary
- Genre
- Progressive House
- Loudness
- -10.1 dB
- Dynamics
- 12.7 dB
- ISRC
- US83Z1534816
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Mirrors - Original Mix is a club-tempo progressive house track in F♯ minor (11A) at 124 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. More underground than 99% of Michael A's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 94% of Michael A's catalogue
- Low end:
- more treble-tilted than 94% of Michael A's catalogue
- Tempo:
- faster than 92% of Michael A's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Mirrors - Original Mix in?
Mirrors - Original Mix by Michael A is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Mirrors - Original Mix?
Mirrors - Original Mix runs at 124 BPM, a club-tempo track.
What mixes well with Mirrors - Original Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Mirrors - Original Mix good for peak time?
With energy 83 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Michael A
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
