The You In You Isn’t The You You Thought Was In You - HearThuG Remix
- BPM
- 127
- Open Key
- 8m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 5:31
- Released
- 2020
- Album
- The You in You Isn't the You You Thought Was in You Remixes
- Genre
- Tech House
- Loudness
- -7.8 dB
- ISRC
- UKFMN1600122
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The You In You Isn't The You You Thought Was In Youoriginal8A · 127
Against the original (8A at 127 BPM), this version holds the same tempo and moves the key from 8A to 3A.
The You In You Isn’t The You You Thought Was In You - HearThuG Remix runs 127 BPM in B♭ minor (3A), a peak-time tempo tech house record. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. More underground than 99% of Third Son's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 97% of Third Son's catalogue
- Brightness:
- brighter than 97% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The You In You Isn’t The You You Thought Was In You - HearThuG Remix in?
The You In You Isn’t The You You Thought Was In You - HearThuG Remix by Third Son is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The You In You Isn’t The You You Thought Was In You - HearThuG Remix?
The You In You Isn’t The You You Thought Was In You - HearThuG Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with The You In You Isn’t The You You Thought Was In You - HearThuG Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The You In You Isn’t The You You Thought Was In You - HearThuG Remix good for peak time?
With energy 79 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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