The Room Of Lost Parcel Force Packages by Third Son cover art

The Room Of Lost Parcel Force Packages

Third Son

30s preview

Key
2A · E♭ minor
BPM
127
Open Key
7m
Energy
79/100
Pop
0/100
Length
5:29
Released
2020
Album
How I Learned to Stop Thinking
Genre
Tech House
Loudness
-9.2 dB
Dynamics
13.2 dB
ISRC
UKFMN1600082

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 127 BPM in E♭ minor (2A), The Room Of Lost Parcel Force Packages is a peak-time tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Third Son's catalogue.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy79
Mood29Dark
Groove78
Acoustic12
Instrumental86
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is The Room Of Lost Parcel Force Packages in?

The Room Of Lost Parcel Force Packages by Third Son is in E♭ minor, or 2A on the Camelot wheel.

What BPM is The Room Of Lost Parcel Force Packages?

The Room Of Lost Parcel Force Packages runs at 127 BPM, a peak-time tempo track.

What mixes well with The Room Of Lost Parcel Force Packages?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is The Room Of Lost Parcel Force Packages good for peak time?

With energy 79 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 127 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 79/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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