I've Finally Got My Head Together, Now My Body Is Falling Apart
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 5:49
- Released
- 2020
- Album
- 20 Days
- Genre
- Tech House
- Loudness
- -7.1 dB
- Dynamics
- 9.7 dB
- ISRC
- UKFMN1600105
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I've Finally Got My Head Together, Now My Body Is Falling Apart runs 128 BPM in G major (9B), a peak-time tempo tech house record. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Third Son's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 90% of Third Son's catalogue
- Groove:
- groovier than 86% of Third Son's catalogue
- Tempo:
- faster than 77% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is I've Finally Got My Head Together, Now My Body Is Falling Apart in?
I've Finally Got My Head Together, Now My Body Is Falling Apart by Third Son is in G major, or 9B on the Camelot wheel.
What BPM is I've Finally Got My Head Together, Now My Body Is Falling Apart?
I've Finally Got My Head Together, Now My Body Is Falling Apart runs at 128 BPM, a peak-time tempo track.
What mixes well with I've Finally Got My Head Together, Now My Body Is Falling Apart?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is I've Finally Got My Head Together, Now My Body Is Falling Apart good for peak time?
With energy 69 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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