The Voice of the Planets (with Histoire d’eux)
30s preview
- BPM
- 99
- Double-time
- 198
- Open Key
- 3m
- Energy
- 42/100
- Pop
- 0/100
- Length
- 8:18
- Released
- 2024
- Genre
- Big Beat
- Loudness
- -16.5 dB
- Dynamics
- 12.1 dB
- ISRC
- CH6542406659
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo big beat cut, The Voice of the Planets (with Histoire d’eux) sits in B minor (10A) at 99 BPM. The feel is dark and steady. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Calmer than 99% of The Prodigy's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of The Prodigy's catalogue
- Low end:
- more bass-heavy than 99% of The Prodigy's catalogue
- Tempo:
- slower than 94% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is The Voice of the Planets (with Histoire d’eux) in?
The Voice of the Planets (with Histoire d’eux) by The Prodigy is in B minor, or 10A on the Camelot wheel.
What BPM is The Voice of the Planets (with Histoire d’eux)?
The Voice of the Planets (with Histoire d’eux) runs at 99 BPM, a slow-groove tempo track.
What mixes well with The Voice of the Planets (with Histoire d’eux)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The Voice of the Planets (with Histoire d’eux) good for peak time?
With energy 42 out of 100 at 99 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 99 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 93-105 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 99 — beatmatch without a big tempo pull.
More big beat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 99 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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