All Over the World
30s preview
- Key
- 7A · D minor
- BPM
- 98
- Double-time
- 196
- Open Key
- 12m
- Energy
- 45/100
- Pop
- 19/100
- Length
- 5:02
- Released
- 2015
- Genre
- Downtempo
- Loudness
- -11.0 dB
- Dynamics
- 14.5 dB
- ISRC
- GBEWA1701060
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
All Over the World runs 98 BPM in D minor (7A), a slow-groove tempo downtempo record. Tonally it lands dark and steady. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. Slower than 95% of Above & Beyond's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more treble-tilted than 95% of Above & Beyond's catalogue
- Groove:
- less groove-driven than 87% of Above & Beyond's catalogue
- Energy:
- calmer than 84% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is All Over the World in?
All Over the World by Above & Beyond is in D minor, or 7A on the Camelot wheel.
What BPM is All Over the World?
All Over the World runs at 98 BPM, a slow-groove tempo track.
What mixes well with All Over the World?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is All Over the World good for peak time?
With energy 45 out of 100 at 98 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 98 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 92-104 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 98 — beatmatch without a big tempo pull.
More downtempo
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 98 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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