Am Anfang War Der Technoclub - Biografie - 139. Kapitel
- Key
- 4A · F minor
- BPM
- 112
- Open Key
- 9m
- Energy
- 26/100
- Pop
- 0/100
- Length
- 2:00
- Released
- 2019
- Album
- Am Anfang war der TechnoClub - Biografie
- Genre
- Trance
- Loudness
- -17.3 dB
- ISRC
- DEA311907638
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Am Anfang War Der Technoclub - Biografie - 10. Kapiteloriginal10A · 85
- Am Anfang War Der Technoclub - Biografie - 100. Kapiteloriginal10A · 113
- Am Anfang War Der Technoclub - Biografie - 101. Kapiteloriginal10A · 112
- Am Anfang War Der Technoclub - Biografie - 102. Kapiteloriginal1B · 85
- Am Anfang War Der Technoclub - Biografie - 103. Kapiteloriginal2B · 81
- Am Anfang War Der Technoclub - Biografie - 104. Kapiteloriginal3A · 61
Am Anfang War Der Technoclub - Biografie - 139. Kapitel: mid-tempo trance, F minor (4A), 112 BPM. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. More underground than 99% of Talla 2XLC's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- brighter than 93% of Talla 2XLC's catalogue
- Groove:
- groovier than 85% of Talla 2XLC's catalogue
- Energy:
- calmer than 83% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Am Anfang War Der Technoclub - Biografie - 139. Kapitel in?
Am Anfang War Der Technoclub - Biografie - 139. Kapitel by Talla 2XLC is in F minor, or 4A on the Camelot wheel.
What BPM is Am Anfang War Der Technoclub - Biografie - 139. Kapitel?
Am Anfang War Der Technoclub - Biografie - 139. Kapitel runs at 112 BPM, a mid-tempo track.
What mixes well with Am Anfang War Der Technoclub - Biografie - 139. Kapitel?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Am Anfang War Der Technoclub - Biografie - 139. Kapitel good for peak time?
With energy 26 out of 100 at 112 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Rosemary Rose - Stereo Mix [2018 Remastered Version] by Kink cover art](https://i.scdn.co/image/ab67616d00001e022d3bfccc224f6e1a92573354){kind=small}
How to mix it
In 4A at 112 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More trance
More from Talla 2XLC
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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