Waiting for Me, Pt. 2 by Surgeon cover art

Waiting for Me, Pt. 2

Surgeon

30s preview

Key
12A · D♭ minor
BPM
134
Open Key
5m
Energy
93/100
Pop
0/100
Length
5:14
Released
2000
Album
Waiting for Me
Genre
Techno
Label
Counterbalance
Loudness
-12.7 dB
Dynamics
22.6 dB
ISRC
GB6SP0900033

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Waiting for Me, Pt. 2 runs 134 BPM in D♭ minor (12A), a peak-time tempo techno record. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 23 dB). A 2000 production that still circulates in sets. More underground than 99% of Surgeon's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 98% of Surgeon's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood30Dark
Groove68
Acoustic1
Instrumental91
Live42
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
25%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Waiting for Me, Pt. 2 in?

Waiting for Me, Pt. 2 by Surgeon is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Waiting for Me, Pt. 2?

Waiting for Me, Pt. 2 runs at 134 BPM, a peak-time tempo track.

What mixes well with Waiting for Me, Pt. 2?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Waiting for Me, Pt. 2 good for peak time?

With energy 93 out of 100 at 134 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 134 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

#Track

More techno

More from Surgeon

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track