Semoga Kau Mengerti
30s preview
- BPM
- 104
- Open Key
- 4m
- Energy
- 17/100
- Pop
- 3/100
- Length
- 4:20
- Released
- 2015
- Album
- Slam
- Genre
- House
- Label
- DDT Banaketak
- Loudness
- -20.1 dB
- Dynamics
- 20.5 dB
- ISRC
- MYUM71200043
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo house cut, Semoga Kau Mengerti sits in F♯ minor (11A) at 104 BPM. The feel is warm and mellow. The groove is strong and floor-ready. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). A 2015 production that still circulates in sets. Calmer than 99% of Slam's catalogue.
- Groove:
- groovier than 99% of Slam's catalogue
- Brightness:
- brighter than 98% of Slam's catalogue
- Tempo:
- slower than 79% of Slam's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Semoga Kau Mengerti in?
Semoga Kau Mengerti by Slam is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Semoga Kau Mengerti?
Semoga Kau Mengerti runs at 104 BPM, a slow-groove tempo track.
What mixes well with Semoga Kau Mengerti?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Semoga Kau Mengerti good for peak time?
With energy 17 out of 100 at 104 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 104 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 98-110 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 104 — beatmatch without a big tempo pull.
More house
More from Slam
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 104 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
