Soulflow - Deetron Dub by Simon Doty cover art

Soulflow - Deetron Dub

Simon Doty

30s preview

Key
9A · E minor
BPM
128
Open Key
2m
Energy
96/100
Pop
2/100
Length
5:04
Released
2023
Album
Soulflow (Deetron Remix)
Genre
House
Label
Anjunadeep
Loudness
-7.7 dB
Dynamics
10.6 dB
ISRC
GBEWA2303871

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8A at 128 BPM), this version holds the same tempo and moves the key from 8A to 9A.

At 128 BPM in E minor (9A), Soulflow - Deetron Dub is a peak-time tempo house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 91% of Simon Doty's catalogue.

Tempo:
faster than 91% of Simon Doty's catalogue
Brightness:
darker than 87% of Simon Doty's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood7Dark
Groove74
Acoustic1
Instrumental89
Live11
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Soulflow - Deetron Dub in?

Soulflow - Deetron Dub by Simon Doty is in E minor, or 9A on the Camelot wheel.

What BPM is Soulflow - Deetron Dub?

Soulflow - Deetron Dub runs at 128 BPM, a peak-time tempo track.

What mixes well with Soulflow - Deetron Dub?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Soulflow - Deetron Dub good for peak time?

With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More house

More from Simon Doty

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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