Let It Go - Tony Dee Remix
- BPM
- 124
- Open Key
- 3m
- Energy
- 73/100
- Pop
- 0/100
- Length
- 8:00
- Released
- 2011
- Album
- Let It Go EP
- Genre
- Tech House
- Loudness
- -11.9 dB
- ISRC
- ITH641053026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Let It Gooriginal11A · 125
- Let It Go - Thorsten Hammer Remixremix6A · 125
- Let It Go - Tony Dee Remixremix10A · 124
- Let It Go - UGLH Remixremix11A · 124
Against the original (11A at 125 BPM), this version runs 1 BPM slower and moves the key from 11A to 10A.
A club-tempo tech house cut, Let It Go - Tony Dee Remix sits in B minor (10A) at 124 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Sidney Charles's catalogue.
- Brightness:
- darker than 95% of Sidney Charles's catalogue
- Energy:
- calmer than 86% of Sidney Charles's catalogue
- Groove:
- less groove-driven than 84% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Let It Go - Tony Dee Remix in?
Let It Go - Tony Dee Remix by Sidney Charles is in B minor, or 10A on the Camelot wheel.
What BPM is Let It Go - Tony Dee Remix?
Let It Go - Tony Dee Remix runs at 124 BPM, a club-tempo track.
What mixes well with Let It Go - Tony Dee Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Let It Go - Tony Dee Remix good for peak time?
With energy 73 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
